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WHY CATHOLICS SHOULD READ LITERATURE
By Dr. Allen White
This article was originally published in
the October 1996 issue of The Angelus
Let me begin with a few words about
the nature of art. By the word "art," I am not referring just
to paintings or sculpture, but to "art" in the larger context
of those things which are created —literature, music,
painting, sculpture, architecture. They all get classified
under the larger category which we also refer to as "art."
Art has always existed as a
manifestation of the human spirit. The cave paintings found on
underground walls in southern France take us back to
prehistoric times and show us that even man at his most
primitive sought to represent the world around him. The urge
to create art is a defining element of man’s nature.
Art is what artists make and craft
with a high level of inspiration. If they make and create with
real inspiration and to the height of their powers, then they
are creating that which can transcend time and space and speak
to all people in every age.
Now literature is unique, for each
form of art possesses its own characteristics and has its own
special function. Literature is language that tells a story or
presents ideas, reflections or emotions in memorable language.
A great story or a great poem is a made object; it must be
crafted; at its greatest it can become art. Poetry is as old
as mankind and the desire to tell stories and to hear them
seems to be another innate defining element of human nature.
Our very faith is a magnificent
story. There is a reason why it is often referred to as The
Greatest Story Ever Told. It has a definite beginning, a long
series of related actions and incidents and a definitive end
that resolves the action and offers a final comprehensive
completeness. Our Faith is not a series of maxims or rules or
sayings or aphorisms; it is at the core a story that
progresses from "In the beginning..." through "And
the Word was made flesh..." to "And I saw a New Heaven
and a New Earth..." Our Faith is a narrative of actual
events, either lived through in the past or happening in the
present or promised for the future.
Our Lord Himself, when He was with
us on the earth, showed to us the importance of stories and
storytelling. He did not come and give us a set of syllogisms
or a list of logical assertions to teach us our faith; He came
and taught us through parables. In the 13th chapter of
Matthew, the disciples themselves become puzzled as to Our
Lord’s method of teaching. Having just heard the parable of
the sower and the seed, the disciples ask Christ why He speaks
in parables:
And his disciples came and said to
him: Why speakest thou to them in parables? Who answered and
said to them: Because to you it is given to know the
mysteries of the kingdom of heaven; but to them it is not
given. For he that hath, to him shall be given, and he shall
abound: but he that hath not, from him shall be taken away
that also which he hath. Therefore do I speak to them in
parables: because seeing they see not and hearing they hear
not, neither do they understand. And the prophecy of Isaias
is fulfilled in them, who saith: By hearing you shall hear
and not understand: and seeing you shall see and shall not
perceive. For the heart of this people is grown gross, and
with their ears they have been dull of hearing, and their
eyes they have shut: lest at any time they should understand
with their heart and be converted; and I should heal them.
But blessed are your eyes because they see, and your ears
because they hear (Mt. 13:10-16).
Our Lord makes clear that the
parable is a special gift to those who possess understanding.
The mass of men are lazy and fallen and detached —they cannot
even use the channels for understanding given them by God. The
parable is a way of lifting up understanding, of forcing us to
see and hear and perceive. The parable is given us for our
greater understanding, but it demands a fullness of
participation on our part. Without our active involvement and
our active participation, the parable, like some of the seed,
will fall on rock and never grow to its full purpose.
This leads us to the question then
of what the story or literature should do for us. What is its
purpose? Our Lord, of course, has already provided the most
important purpose, one might be so bold as to say the intended
Divine Purpose —to open our eyes and to open our ears and to
open our hearts. But how is this accomplished?
From the time of the classical
authors through the Middle Ages and the Renaissance and up to
and including one of my favorite modern authors, Evelyn Waugh,
writers have given two basic reasons for the creation of
literature. Literature has two basic functions: literature
should educate us and literature should delight us.
Literature exists on one level to
teach us things, to tell us things which we do not know. Great
literature educates us according to the original meaning of
"education" —to lead. It shows us sights which are new to us
and introduces us to people we have never met before. Great
literature explains the world to us in ways we have never know
before.
What kinds of knowledge can
literature give us? Literature can take us places where we
could not ourselves venture or show us worlds which have
vanished, but that are worth remembering. There is invaluable
knowledge to be gained by reading Homer and experiencing the
Trojan War in The Iliad; by reading Melville and
voyaging on a whaling vessel in Moby Dick; by reading
Cervantes and journeying down the dusty roads of Spain with
Don Quixote. Our horizons are expanded and we learn.
There are other kinds of knowledge
we gain; however, other than simply experiential knowledge. It
is possible to gain moral knowledge through the reading of
literature. Our understanding of the nature of good and evil,
our awareness of how these forces appear and work in the
actual world can be expanded for us by great literature. We
can gain necessary knowledge without having to go through the
often painful experiences or turmoil of difficult life
situations. To experience the temptations and sufferings of
Anna Karenina or Hester Prynne in The Scarlet Letter;
to witness the malignant machinations of Iago in Othello;
to fight to moral awareness with Huckleberry Finn
cannot help but generate and refine the moral sensibility that
is a part of our nature.
At the highest level, literature can
lead us to profound spiritual awareness. In such superb works
the truth of experience and the lived reality of goodness and
the incomparable beauty of divine vision and highest
expression are unparalleled. For this reason we return over
and over again to Dante’s Divine Comedy and
Shakespeare’s The Tempest and Dickens’ Great
Expectations. In our own time, such works can still be
discovered —Waugh’s Brideshead Revisited or Flannery
O’Connor’s Complete Stories or Solzhenitsyn’s One
Day in the Life of Ivan Denisovich. In these works we
enter worlds we do not know and gain lessons we could not
otherwise gain and all expressed with a beauty of form that
reflects the eternal.
This knowledge is not just acquired,
however. We could be given the details of whaling life in a
pamphlet or be taught that adultery is a sin or be told that
there is a hell, a purgatory and a heaven. We would still have
the knowledge. What literature does is to vitalize that
knowledge. By actively participating in the knowledge as in a
living fact by way of action and human beings, the knowledge
becomes real and alive. We thus retain it and comprehend it in
a higher and deeper sense than we could if we received that
same knowledge from a pamphlet, a list or a set of rules. We
are creatures of flesh and blood living in a real world and we
learn and know most effectively in the same manner as we live.
This vitalized knowledge is the
source of true wisdom. A human being who is a walking
encyclopedia may possess endless strings of facts but that
person may be totally lacking in wisdom. Wisdom is knowledge
made vital and realized; literature allows us to turn
knowledge into the vitalized reality of wisdom.
To read literature is thus to live more
keenly and richly. It is to acquire a rich interior life. It
is to live more lives than our own narrow and confined life.
Literature allows us to grow and to deepen and to widen. The
man who has filled himself with the best of books is a larger
man, larger in knowledge, fuller of compassion, deeper in
spirit.
The second reason for reading
literature is to experience delight. This is a purpose as
important as the first of gaining knowledge. We are delighted
by good stories and this desire for that delight is in us from
our earliest years. Anyone who has spent any time at all
around young children will acknowledge this fact. From the
moment children can put words together, they repeatedly demand
the delight of the story. "Tell me a story, Daddy" and
"Read me a story, Mommy" are not just diversions to
delay the bedtime hour. Children need to hear stories and,
curiously, they also teach us that the old stories are the
best stories. Children particularly love to hear stories that
are familiar to them, those stories which they have heard
before. It is an innate desire for things traditional, for
that which has been repeated over and over again, for that
which has been handed down. The story that is repeated or
visited again and again sinks ever more deeply into our
awareness and can be comprehended ever more fully.
This joy in the good story well told
offers respite from the hardships and labors of life. Even St.
Thomas Aquinas says that the soul needs rest just as the body
does. The entertaining delights of literature provide one of
the best and most appropriate ways for the soul to rest. Great
literature can provide nourishment for the soul as food
provides nourishment for the body. If we choose only that
which is sweet and instantly pleasing, however, the soul will
rot just as the teeth will rot if they only chew on a constant
diet of cotton candy. To gnaw on a good, protein-rich piece of
beefsteak is to receive real nourishment and good exercise for
the jaws; in just such a way, to wrestle with a strong, solid
work of literature is to receive substance for the soul and a
healthy work-out for the mind. A good work-out can also be a
source of genuine delight. One can be refreshed even as one
wrestles; reading good literature is an active work requiring
strength which provides delight.
Finally, great literature teaches
the very valuable art of self-expression. By reading those
works that express the best that has been thought presented by
masters of language, we ourselves gain mastery over both
thought and language. We do not live in a time where language
is honored; language is in fact under assault all around us.
We live in an age that reveres visual images and spends its
time in front of screens. The age encourages us to be passive
and to be inarticulate. Literature introduces us to the huge
range of possibilities of expression and style that language
offers to us. This ability to use language is another fact of
human nature that defines us and separates us from the
animals. It is in us as a given, but it must be learned and
nurtured. We need help in mastering our language skills, our
skills of self-expression. Those great masters of the past are
our best guides.
This leads to one final point,
perhaps a warning. The great writers, those geniuses of the
past who have created the greatest stories or set down the
most beautiful reflections are a disparate lot. God has not
distributed His gifts just to a handful of individuals who
have believed exactly what we believe with its fullness of
truth. The question is often raised by traditional Catholics
in reference to a given writer, "Is he a Catholic?" If
the answer is "No," there then seems to be a reluctance
to enter the works of that author. To adopt this attitude is
to deny ourselves the riches of God’s creation. The duty of a
great writer is to tell the truth about the world in which the
writer finds himself and to do it with beauty. There can be
little doubt that the greatest of all writers were those
writers who possessed the fullness of truth and the greatest
appreciation for beauty, in other words, those great Catholic
writers. We cannot find a higher roll of great geniuses than
that roll of Catholic writers: Dante, Chaucer, Cervantes and
Shakespeare. Even in our own time that roll can include such
giant figures as Chesterton, Tolkien, O’Connor, Waugh and
Walker Percy. But we would be missing a great deal of
additional truth and insight and beauty if we confined our
reading only to those writers. God has given the gift of
expression and the ability to see the truth to many others who
were not Catholic and those writers have done great work. It
would be absurd and finally self-defeating to ignore Homer or
Sophocles or Plato or Virgil or Jane Austen or Charles Dickens
or Alfred, Lord Tennyson or Dostoevsky or Solzhenitsyn because
they were "not Catholic." God in His Wisdom gave these
writers talent and inspired them to tell great truths. They
have done so and we can gain much from reading their works to
discover which pieces of the truth they were privileged to
know and how they came to express that knowledge. Aquinas
openly acknowledged his debt to Aristotle; Dante chose Virgil
as his first guide; dare we presume to be "higher" or "purer"
than such great Catholic souls? A pagan writer who serves up
tough truth is more important than a Catholic writer who gives
us cotton candy.
Great literature is made and crafted
by great artists who seek to instruct us and to delight us. In
absorbing what they offer, we grow in wisdom, live more fully
and deeply and gain greater power of self-expression. God has
provided for us a great banquet of stories and poems served up
by dozens and dozens of unique chefs. Sit; feed; enjoy. |